power is held by one person or a single small group). This made people suspicious of him. This feeling increased when he released Monsieur Verdoux, in which he showed that mass murder and the abuse of workers in an attempt to increase business profits were similar. Critics praised the film, but it was more popular with European audiences than those in America.
During the next five years, Chaplin devoted himself to Limelight (1952), a gentle and sometimes sad work based in part on his own life. It was much different from Monsieur ”Verdoux. "I was … still not convinced," Chaplin wrote, "that I had completely lost the affection of the American people, that they could be so politically conscious or so humorless as to boycott [refuse to pay attention to] anyone that could amuse them." Further hurting Chaplin's image was a much-publicized lawsuit brought against him by a woman who claimed he was the father of her child. Although Chaplin proved he was not the child's father, reaction to the charges turned many people against him.
While on vacation in Europe in 1952, Chaplin was notified by the U.S. attorney general that his re-entry into the United States would be challenged. He was charged with committing immoral acts and being politically suspicious. Chaplin, who had never become a United States citizen, sold all of his American possessions and settled in Geneva, Switzerland, with his fourth wife, Oona O'Neill, daughter of the American playwright Eugene O'Neill (1888–1953), and their children. In 1957 Chaplin visited England to direct The King in New York, which was never shown in the United States.
My Autobiography (the story of his own life) was published in 1964. Most critics considered Chaplin's 1967 film, A Countess from Hong Kong, a disaster. By the 1970s times had changed, and Chaplin was again recognized for his rich contribution to film. He returned to the United States in 1972, where he was honored by major tributes in New York City and Hollywood, California, including receiving a special Academy Award. In 1975 he became Sir Charles Chaplin after Queen Elizabeth II of England knighted him.
He told stories that moved us. He had this way of connecting with everything we were dying to say. In 1916s, The Rink he showed us magic on skates. In 1921’s The Kid, Chaplin breaks our hearts. He kept bust churning out film after film, even experimenting with entirely off-screen responsibilities for 1923s, A Woman of Paris. He was always trying something new.
We lost the legend, Chaplin, on December 25, 1977. Chaplin’s art overflowed the bounds of cinema and raised the tides of history, but Chaplin’s life also overflowed the bounds of law and norms and submerged those who stood in the path of his desires. The story of Chaplin’s success is the story of Cinema itself, and Charles Chaplin is a true legend. Sarika
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